Asylum
2019 2021
HD, 29'30", voix et silences.
Master : Apple ProRes 422 1920 × 1080 - 24,7 Go Compression MP4 1,34 Go
- Version projection
- Version installation (ask document !)
HD, 29'30", voix et silences.
Master : Apple ProRes 422 1920 × 1080 - 24,7 Go Compression MP4 1,34 Go
- Version projection
- Version installation (ask document !)
Short Synopsis
Asylum is the silent story of several people in a migration situation. Based on real interviews in the Schengen area, the questions remain unanswered. The film is built on two different perceptions: documentary and metaphorical. Thus, the mise en scène lets our mind drift between a concrete sound narrative and the flow of images.
Synopsis:
ASYLUS (ASILE) is the silent narrative of four people seeking asylum in the Schengen area. Divided into four tableaux, each interview begins with the same question: "Why did you leave your country? ". The questions to the asylum seekers are based on real interviews that remain unanswered. As they listen, a doctored voice asks the individuals why they left: domestic violence, political orientation, prostitution and ethnic massacres. On the screen, a hand knocks on the glass, a rising water, the manipulation of a transparent plastic veil or the last leaf of the tree. The film is built on two different perceptions: documentary and metaphorical. The direction lets our mind drift between a cold and concrete sound documentary and the subjective flow of the images.
Asylum is the silent story of several people in a migration situation. Based on real interviews in the Schengen area, the questions remain unanswered. The film is built on two different perceptions: documentary and metaphorical. Thus, the mise en scène lets our mind drift between a concrete sound narrative and the flow of images.
Synopsis:
ASYLUS (ASILE) is the silent narrative of four people seeking asylum in the Schengen area. Divided into four tableaux, each interview begins with the same question: "Why did you leave your country? ". The questions to the asylum seekers are based on real interviews that remain unanswered. As they listen, a doctored voice asks the individuals why they left: domestic violence, political orientation, prostitution and ethnic massacres. On the screen, a hand knocks on the glass, a rising water, the manipulation of a transparent plastic veil or the last leaf of the tree. The film is built on two different perceptions: documentary and metaphorical. The direction lets our mind drift between a cold and concrete sound documentary and the subjective flow of the images.
